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Logic Pro X vs Ableton Live: Which DAW is better for independent producers? - .Stream Logic Pro X Templates music | Listen to songs, albums, playlists for free on SoundCloud - Hello Bar Widget
Before the release of Logic Pro Not only that, but Logic Pro Before we start, though, a few points of note…. Indeed, Ableton have done a sterling job of keeping this fundamental part of the system free of clutter. And, of course, prior to Logic Pro With Logic Pro now boasting its own well thought-out and tightly integrated take on the same concept in the shape of the Live Loops Grid, however, that edge has been blunted.
Before we mail the trophy to Cupertino, though, Live still has one feature that keeps it firmly at the top spot for on-the-fly loop recording and launching: Follow Actions. This seemingly innocuous little Clip View control panel gives producers and live performers the means to automate and randomise clip launching within Scenes — something no other DAW can do. So Live nabs this one.
Alchemy — once a pricey third-party instrument, until Apple bought its developer, Camel Audio — is the more overtly powerful of the two, taking in additive, granular and analogue-style synthesis, with four simultaneous sources, tons of filters and copious effects. Wavetable certainly holds its own, though — a two-oscillator plus sub wavetable synth with over well crafted wavetables onboard, two filters, comprehensive modulation options, and a supremely accessible interface and workflow, that sounds phenomenal.
For us, those two factors tip the scales. These newcomers joined an already impressive line-up of distortion, dynamics, equalisation the integrated Channel EQ is particularly good , reverb, delay, modulation and other effect types to give you absolutely everything you need to get the mixing job done.
This round in our face-off goes either way, depending on your primary plugin needs: Live for sound design, Logic for mixing. But there are also marked differences…. In contrast, with its less stratified, comparatively accessible interface, Live is about as lean and mean as DAWs get, and the speed with which the seasoned user can fly around its Session and Arrange Views, Piano Roll and Sample Editor is something to behold. Back across the pond, Logic is famous for its unrivalled key commands scheme, with which a vast array of shortcuts can be customised to suit the specific tactile needs of the user, no matter how eccentric.
This amazing hardware controller features an RGB backlit pad grid for versatile melodic and percussive note input, a bank of contextual buttons and rotaries for mixer and plugin control, and plenty of buttons for governance of Live itself — a truly spectacular fusion of hardware and software.
Clearly, Apple and Ableton are coming at this music software malarkey from two wholly alternative perspectives and with a pronounced disparity in terms of pricing flexibility. Ultimately, Live 10 and Logic Pro are both comprehensive in their provision of MIDI and audio recording, editing and mixing facilities, bundled plugins and brilliantly realised workflows, so deciding between them comes down to three things.
First, the kind of music you make. Second, what kind of producer are you? Do you like to keep your sessions creative and fast-moving, or are you more of a tinkerer, happy to take your time finessing sounds and arrangements, but requiring the most powerful engineering tools you can get your hands on to do it?
Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.
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